Who was the first African-American to become a permanent member of a major ballet company?

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Multiple Choice

Who was the first African-American to become a permanent member of a major ballet company?

Explanation:
Arthur Mitchell was the first African-American to become a permanent member of a major ballet company. He joined the New York City Ballet in 1955, breaking significant racial barriers in the predominantly white world of ballet. His presence in the company was groundbreaking and paved the way for future generations of dancers of color. Mitchell's contributions extended beyond his performances; he later founded the Dance Theatre of Harlem in 1969, which was the first professional ballet company to be established by an African-American. His work not only enriched the ballet community but also inspired countless dancers by promoting diversity and inclusion within the art form. While other names listed have made notable contributions to dance and the wider context of African-American representation in the performing arts, it is Arthur Mitchell who holds the distinction of being the first to secure a permanent position in a major ballet company.

Arthur Mitchell was the first African-American to become a permanent member of a major ballet company. He joined the New York City Ballet in 1955, breaking significant racial barriers in the predominantly white world of ballet. His presence in the company was groundbreaking and paved the way for future generations of dancers of color.

Mitchell's contributions extended beyond his performances; he later founded the Dance Theatre of Harlem in 1969, which was the first professional ballet company to be established by an African-American. His work not only enriched the ballet community but also inspired countless dancers by promoting diversity and inclusion within the art form.

While other names listed have made notable contributions to dance and the wider context of African-American representation in the performing arts, it is Arthur Mitchell who holds the distinction of being the first to secure a permanent position in a major ballet company.

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